Past events

A lunchtime concert in the presence of Raymond Warren followed by a drinks reception.

Including:

Warren: String Quartet No.2
Warren: A Star Danced for solo Cello and Chamber Orchestra.

Performed by the Ligeti Quartet & students from St Mary Redcliffe and Temple School, Bristol

Pianist, composer and improviser Xenia Pestova Bennett will curate a special afternoon featuring the Magnetic Resonator Piano, an exciting new instrument designed by the radical inventor Andrew McPherson. A grand piano will be completely transformed into a stunning acoustic cyborg with electromagnets suspended above the strings, allowing for control of minute details of shimmering resonance and gorgeous sustained tones.

The Contemporary Music Research Unit and PureGold present the final concert in the term-long Treatise Project, performed by the Ligeti Quartet.

For their final concert as Peter Maxwell Davies Ensemble in Residence, the Ligeti Quartet showcase three works by Cambridge University PhD composers, and the winner of Homerton College's 2019 Composition Competition.

Metastable Impressions: Artistic Representations of Molecular Dynamics

Come see and hear how we have used cutting edge deep learning, fine art and classical composition to communicate information from simulations of enzymes.

As newly appointed Resident Ensemble at Goldsmiths University, the Ligeti Quartet is doing a full day of composition workshops with students. 

Please get in touch with us if you would like to attend.

Time: 10:00-13:00 and 14:00-17:00

What does the brain sound like? Neuroscientist and composer Cliff Kerr explores what happens when performers become composers by translating their brain activity in real time into musical scores. Leveraging recent advances in non-invasive EEG hardware and time series analysis methods information is extracted from the brain.

• 6:45pm: Pre-concert talk with Cliff Kerr
• 7:30pm: Concert

What does the brain sound like? Neuroscientist and composer Cliff Kerr explores what happens when performers become composers by translating their brain activity in real time into musical scores. Leveraging recent advances in non-invasive EEG hardware and time series analysis methods information is extracted from the brain.

For their first appearance in Denmark, the Ligeti Quartet present three iconic works for string quartet with strong visual elements. Different Trains is presented with Beatriz Caravaggio's film, produced by ArsVideo Producciones in cooperation with the BBVA Foundation for the Museum of Fine Arts in Bilbao in 2016.

Music by students of the Royal Danish Academy of Music:

• Aaron Hudson: Insomnia
• Neli Pantsulaia: String Quartet
• Gustav Bjerre: String Quartet (first movement)
• Connor McClean: String Quartet No. 3
• Niklas Ottander: Proportion Två

Free entry

This event will feature the London-based Ligeti Quartet and will involve realizations of dynamic audiovisual scores that guide the production of sound & music as well as other interactive sonic visualizations. The programme will include selections from an international call for works as well as new works by University of Liverpool composers.

Ligeti Quartet perform a programme for International Women’s Day, featuring three pieces composed for them: Singing Strings (commissioned with the support of the RVW Trust), Mento Mood (commissioned by Cheltenham Festival) and Venus/Zohreh (commissioned by Live Music Sculpture &

Curated by trumpet player/composer Laura Jurd, Stepping Back, Jumping In is a celebration of new sounds featuring world-class improvisers and contemporary music-makers from Norway and the UK, resulting in a superbly dynamic, 14-piece ensemble.

In this programme, the Ligeti Quartet explores change through music - personal change, societal change, and environmental change. This concert marks the inauguration of Homerton College's Foundation Concert series.

This programme explores music by living American composers. Beginning with a ten-thousand-year-old affirmation of spiritual balance, the plea for peace and justice is heard through different musical expressions. It also showcases the emerging composer Sarah Rimkus in a new work written for the Ligeti Quartet, inspired by the sounds of the human voice.

How does limiting our senses change how we experience music? The Ligeti Quartet examine ‘sense’ in the first instalment of a series of concerts exploring music and the brain.

Be immersed in pitch darkness for an intense perceptual experience with music by Georg Friedrich Haas. Explore deeply personal dialogues between composer/singer/writer/TV personality Kerry Andrew and her experiences of hearing in the world premiere of tInNiTuS sOnGs. To see is as much as to hear in music by Helmut Lachenmann where the string quartet is reduced to raw materials of wood, metal, string, and hair.

How does limiting our senses change how we experience music? The Ligeti Quartet examine ‘sense’ in the first instalment of a series of concerts exploring music and the brain.

Be immersed in pitch darkness for an intense perceptual experience with music by Georg Friedrich Haas. Explore deeply personal dialogues between composer/singer/writer/TV personality Kerry Andrew and her experiences of hearing in the world premiere of tInNiTuS sOnGs. To see is as much as to hear in music by Helmut Lachenmann where the string quartet is reduced to raw materials of wood, metal, string, and hair.

We're thrilled that Kerry Andrew will be joining us in the performance of tInNiTuS sOnGs for this concert.